about.

We are a collective of artists, thinkers, dreamers, of black people who refuse to be undertaken by the captivity of this present world.  The bloodlines of Black people are interconnected at the roots of our spiritual perceptions. These spiritual processes are based upon ancient paradigms of laws that allow us to tap into our innate abilities grounded in ancestral power. We envision this rootwork as a way for us to gather, meditate, grieve and manifest together as a way to carry on the joys and wisdom of our ancestors. We are the voices of Sankofa. Join us in sacred acts of remembering our futures. 

Current curators include: simple antJari Bradley, Nina Monet Reynoso, Tonesha Russell, Deaidre White 

Summoning Flight: Navigating Black Mythology, Flight, and Acts of  Refusal— Volume 2, Issue 1

 

“They say the people could fly. Say that long ago in Africa, some of the people knew magic. And they would walk up on the air like climbing up on a gate. And they flew like Blackbirds over the fields.” — Virginia Hamilton  

 

Our last call asked us to consider the ocean as an initiation into new ways that ‘helped our ancestors forge new rhythms and radical visions of existing not tied to land, place, people, customs, or religion, but rather reinvention’. Our desire for freedom, the fierce refusal to remain bound by the brutality of the hull and overtaken by the ocean has conjured a refusal in our spirit that carries us forward. As we continue our ‘search for freedom and the meaning of our existence beyond the confines of the predatory systems that brought us here’, we reckon with the prospect of a mode of transport which allows Black bodies to do more than simply rise above circumstance: Black flight.    

 

Myth is what survives a people, as the people themselves survive. For Toni Morrison, a particular Black myth she’d heard as a child would serve as the basis for a novel she entitled, Song of Solomon. The myth details Black slaves that survived the Middle Passage and had been brought over to the United States with the ability to fly. Under certain conditions of hardship experienced on the plantation, these Africans would pick up the air with great wings and begin to soar up and onward to Africa.  Much like what Morrison was told in childhood had also been preserved  in the slave narratives she combed through that were conducted from 1936-1938 by the Federal Writers’ Project, which described this fascinating phenomena of flight when prompted by interviewers who’d ask survivors of Slavery if they had ever heard or seen certain slaves fly. 

[read full call]

 

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